As Good as It Gets
As Good as It Gets (1997)

As Good as It Gets

2/5
(27 votos)
7.7IMDb67Metascore

Detalles

Elenco

Errores

The headrests in the car while stopped on the side of the road.

Melvin removes his glasses twice while looking out of the window before seeing his publisher.

Carol's watch when she's on the phone with Melvin.

Carol's hair-pin changes position (from being at the level of her ears to the level of her neck and backwards) when she's making her night visit to Melvin When Melvin kisses Carol the second time, she throws her right arm around his neck.

In the next shot of the same kiss, her left arm is the one around his neck.

When Carol is waving goodbye to her son, there is a reflection of camera equipment clearly visible in the window.

When Carol and her mother are at the kitchen table.

When Melvin picks up Simon's dog and it urinates, you can see that the stream of urine is clearly coming out of Melvin's gloved index finger.

When Simon spends the night with Melvin, Carol calls and Simon picks up.

When it's time for Melvin to talk to her, Simon supposedly sets the phone on the table for him to pick it up.

But, when Simon does this, there is a sound of him hanging up the receiver, not setting it aside.

When Melvin walks over to it, he picks it off the table as if it had always been there.

The length of the dog's hair (especially on its legs) changes inconsistently throughout the movie.

The position of the dog on the rug the first time he is going to eat in Melvin's apartment.

First shot, he is on the edge of the carpet, next shot, back on the carpet, and next shot, on the edge of the carpet again.

You can tell by looking at the color of the rug.

On the way home from Baltimore, they stop by a Mobil gas station.

Different signs give prices of $1.

13 and $1.

14 for a gallon of unleaded.

The style of knot in Melvin's tie keeps changing when he's having dinner with Carol at the seafood restaurant.

When Melvin and Carol walk past the bakery at the end of the movie, the lights come on and the staff in the bakery can be seen working.

Before the lights came on, the staff must have been working in the pitch black.

When Simon is in the hotel in Baltimore, he rips his cast between the thumb and index finger.

Upon the return to New York, when Carol is exiting the car, the cast is clearly and repeatedly seen to be intact.

When Carol kisses Melvin in the restaurant, his right hand disappears and reappears on her hair between shots.

When Melvin is sitting in the cafe talking to Carol, he removes his glasses and begins to unbutton his breast pocket.

In the next shot, his pocket is still buttoned.

And in the next, it is unbuttoned as he puts his glasses in.

The number of grapes on Melvin's Plate changes repeatedly between shots during his conversation with Carol in the restaurant.

The amount of liquid in Carol's cocktail changes from the time she's at the bar to when it's placed on the table.

At the bar it's about 3/4 empty, at the table, it's almost full again.

While Simon is being verbally assaulted by Melvin, his shirt is unbuttoned.

After he turns away, his shirt is buttoned.

When Carol is standing and talking to Melvin in the restaurant, when viewed from the back, Carol's arms are straight down.

When viewed from the front her hands are on her hips.

When Carol and Melvin are talking in the restaurant before the trip to Baltimore, Carol folds up the pages of the "Thank you" letter but they are immediately unfolded again.

When Melvin walks to Carol's restaurant for the first time, we see him on the sidewalk, avoiding cracks as he turns a corner.

There are spectators in the background, on the sidewalks and in the street, watching the movie being shot; not the normal NYC crowds.

When Carol tells Melvin that he can bring the dog into the restaurant, her mouth isn't moving.

When Simon first meets Carol, she sees his scars from being beaten by the men robbing him.

As he is telling her the story, the camera changes as he says "I almost died," right before Melvin cuts them off (to finish the small talk in the car).

Simon's voice does not match his mouth as he says this.

When Carol takes the train to see Melvyn, after getting out of bed and for the sole purpose of telling him she won't sleep with him, the LED sign on the subway car she is riding says, "Subway ShuttleOut of Service.

" When Carol pulls over Melvin's Saab convertible so she can get the full story from Simon the top is up when she pulls over.

In the previous scene it was down.

There is no way the top could go up at in that short amount of time, and not at the speed she was traveling at, without damaging it.

Also, they pull over next to an iron gate with a stone base; although the base of the wall is as high as the car when it pulls over, the gate itself can be clearly seen at eye level during the interior car shots, as can a tree or what might be a stone divider in the gate that is not present as the car pulls over.

When Melvin takes Simon soup, it is past 3am.

In the next scene, Carol is up writing Melvin a thank-you letter on the same night; the clock reads 7.

20, Spencer is still up, and Carol and her mother are just preparing to go out for the evening.

When Carol returns from the dinner with Melvin is dark night but when Simon rips his cast to draw her, there is light coming from the window in the back.

When Simon, Melvin and Carol go to Baltimore and Carol gets to drive while Simon is telling his story, the convertible has the roof down and its down when she says she'll pull over to give Simon her full attention, but when they pull over the roof is up.

When Melvin puts on the plastic gloves and is going to pick up Verdell, the glove on his right hand is pulled up to almost his wrist, in the next shot as he's actually picking Verdell up, you can see the glove is only partially on and the fingers of the glove are hanging off his hand.

In the fancy restaurant, the singer in the background sings the same song twice.

Once as they enter and again after Melvin returns with a jacket.

During the scene with Melvin on the pay phone, a sign for the Holland Tunnel is visible when he, Carol and Simon should in fact be on their way back to New York.

After confronting Simon about his missing dog, Melvin Udall returns to his apartment.

The first lock he mistakenly turns 6 times instead of 5, rather than locking it, it remains unlocked.

The next couple locks he counts 5.

Light switch 5 and counts out loud.

When Carol asks Melvin to take her and Spencer to the hospital in his cab, Melvin shouts at a group of school children.

One girl runs to the front with her mouth wide open.

She is clearly instructed by the school the teacher to do this.

When Carol goes to Melvin's apartment late at night in the rain, we see her from the back as she enters his building.

Her bra straps are clearly visible through her wet t-shirt.

However as she enters his apartment we see her try to cover up as her wet shirt has become see-through and she is now not wearing a bra.

When Melvin and Simon both coax Verdell to come to them, Simon holds out the bacon and says in baby talk, "Oop" twice.

But the second time he says it, his mouth does not move.

As Carol gets in the Saab to go to Maryland, the driver's seat belt is caught in the head rest, causing Carol to have to duck underneath.

Later in the trip it isn't.

The head rest would have to be removed to be able to remove the seat belt, not an easy task on their road trip.

Box Office

FechaÁreaBruto
21 June 1998 USA USD 147,637,474
14 June 1998 USA USD 147,540,545
7 June 1998 USA USD 147,346,087
31 May 1998 USA USD 147,047,669
25 May 1998 USA USD 146,653,084
17 May 1998 USA USD 146,085,411
10 May 1998 USA USD 145,568,128
3 May 1998 USA USD 144,751,251
26 April 1998 USA USD 143,556,984
19 April 1998 USA USD 142,064,798
12 April 1998 USA USD 139,621,599
5 April 1998 USA USD 136,381,511
29 March 1998 USA USD 131,786,180
22 March 1998 USA USD 125,803,127
15 March 1998 USA USD 121,407,160
8 March 1998 USA USD 117,231,402
1 March 1998 USA USD 112,852,318
22 February 1998 USA USD 107,510,852
15 February 1998 USA USD 101,614,491
8 February 1998 USA USD 92,284,397
1 February 1998 USA USD 85,572,016
25 January 1998 USA USD 76,623,975
19 January 1998 USA USD 66,831,247
11 January 1998 USA USD 54,049,474
4 January 1998 USA USD 40,722,657
28 December 1997 USA USD 16,164,889
USA USD 148,478,011
24 May 1998 UK GBP 9,387,937
17 May 1998 UK GBP 9,310,277
10 May 1998 UK GBP 9,193,928
3 May 1998 UK GBP 8,901,083
26 April 1998 UK GBP 8,424,484
19 April 1998 UK GBP 7,723,036
12 April 1998 UK GBP 6,604,896
5 April 1998 UK GBP 5,262,448
29 March 1998 UK GBP 3,807,989
22 March 1998 UK GBP 2,151,033
15 March 1998 UK GBP 909,459
10 May 1998 Worldwide USD 132,700,000
3 May 1998 Worldwide USD 127,000,000
26 April 1998 Worldwide USD 121,300,000
19 April 1998 Worldwide USD 113,500,000
12 April 1998 Worldwide USD 97,000,000
5 April 1998 Worldwide USD 88,100,000
29 March 1998 Worldwide USD 74,300,000
15 March 1998 Worldwide USD 47,000,000
8 March 1998 Worldwide USD 35,300,000
1 March 1998 Worldwide USD 26,100,000
22 February 1998 Worldwide USD 16,600,000
except USA Worldwide USD 165,700,000
Worldwide USD 314,178,011
31 May 1998 Germany DEM 31,326,580
3 May 1998 Germany DEM 29,519,546
5 April 1998 Germany DEM 23,030,280
29 March 1998 Germany DEM 20,761,334
15 March 1998 Germany DEM 16,952,882
22 February 1998 Germany DEM 7,178,935
Italy EUR 6,160,391
FechaÁreaBrutoPantalla
28 December 1997 USA USD 12,606,928 1,572
15 March 1998 UK GBP 909,459 254
15 February 1998 Germany DEM 3,094,846 418
FechaÁreaBrutoPantalla
5 April 1998 USA USD 3,330,431 1,556
29 March 1998 USA USD 4,302,498 1,564
22 March 1998 USA USD 3,260,123 1,604
15 March 1998 USA USD 3,051,172 1,710
8 March 1998 USA USD 3,220,350 1,788
1 March 1998 USA USD 4,058,350 1,831
22 February 1998 USA USD 4,608,900 1,837
15 February 1998 USA USD 7,428,700 1,801
8 February 1998 USA USD 5,029,396 1,795
1 February 1998 USA USD 6,609,700 1,778
25 January 1998 USA USD 7,519,940 1,763
18 January 1998 USA USD 10,028,920 1,753
11 January 1998 USA USD 9,012,839 1,632
4 January 1998 USA USD 12,217,707 1,579
24 May 1998 UK GBP 48,176 65
17 May 1998 UK GBP 40,472 86
10 May 1998 UK GBP 136,959 186
3 May 1998 UK GBP 257,978 204
26 April 1998 UK GBP 409,573 244
19 April 1998 UK GBP 534,260 247
12 April 1998 UK GBP 724,314 248
5 April 1998 UK GBP 804,673 231
29 March 1998 UK GBP 1,002,494 253
22 March 1998 UK GBP 745,832 254
15 March 1998 UK GBP 909,459 254
31 May 1998 Germany DEM 313,000 114
3 May 1998 Germany DEM 805,199 243
19 April 1998 Germany DEM 1,224,727 297
5 April 1998 Germany DEM 1,679,000 344
29 March 1998 Germany DEM 1,439,432 326
15 March 1998 Germany DEM 1,849,568 447
22 February 1998 Germany DEM 3,067,947 450

Comentarios

The script is so well written, how could this film but be a masterpiece. It is beyond belief incredible!

I first watched this in a cinema when it came out, many times as I was working there at the time. Depending on the day and movie, audiences enjoyed it more or less.

Plainly cute ! Chemistry is on point and its one of the best movies made!

I gotta admit, when I first started this movie, I wasn't really a fan. As one who mostly watches YA films chock full of eye candy, I felt that this film was a little lacking in that department and was initially thinking that it would be a waste of time and that it was not the film for me.

Great acting - absolutely nasty, ugly and disgusting dog.

Honestly at beginning I spent my 20 bucks for Helen, she is beautiful, elegant and adorable. In addition, Hunt got Oscar via this movie.

"As Good As It Gets" may appear to be about mean man with OCD, a stressed waitress, and a gay visual artist, but it is actually about trying to be a better person. When Nicholson says the film's most famous line, the message becomes very clear.

This movie was directed by one of the creators of the Simpsons and it was his first movie. It is a movie about relationships: between the women that you love, and between those that you just cannot stand.

As Good As It Gets is a 1997 romantic comedy starring Jack Nicholson, Helen Hunt and Greg Kinnear and is directed by James L Brooks. A middle aged writer(Nicholson),a pretty waitress (Hunt) and a closed gay (Kinnear) are all living in the same apartment and they all have a thing for Grace(Hunt).

Comentarios