From Paris with Love

Just before James's SUV blows up you'll notice the wheels are different from when you first saw them.

When John Travolta's character is using the binoculars, he is looking through the wrong end.

In the scene where Reese is at the sink to wash the blood off of his face after destroying the pushers' lair, he raises up and looks in the mirror after his first rinse off.

There is still a large patch of blood on his left-top forehead.

When it cuts to his CU, the blood isn't there and he hasn't washed it off.

When they are following the chinese waiter due to the kingpin the Escalade is clearly in park, even though they are driving.

When the SUV pulls up to the Chinese restaurant, you can see the police lights at the filming traffic barricade when the camera pans to the right.

When Wax and Reece are in the SUV following the waiter from the Chinese restaurant, the vehicle is wet, but close up shots of them inside the SUV, the windows are dry.

When Reece is running up the spiral staircase following Wax, bodies are falling down the stairwell, when the 3rd or 4th body falls down it makes Reece jump and some of the powder pops out of the vase he is carrying in his left arm on to his shoulder, in the next shot there is now powder on the shoulder.

In the scene where Reece is watching for drug dealers through binoculars, while wax is in the other room with a hooker, you see Reece looking through the binoculars correctly.

Shortly after, Wax takes over while Reece answers the door.

Wax can be seen holding the binoculars back-to-front (inverted).

In the scene where Charlie uses his watch to send coordinates to the satellite, the satellite zooms in on a location northwest of Paris.

The coordinates Charlie sends (48.

337) are actually south of the city, near Orly Airport.

Near the beginning of the film, Reece and Caroline are taking their clothes off to prepare to make love.

She pulls his shirt off his shoulders without unbuttoning it.

(at around 48 mins) When Wax bursts into the terrorists' apartment through the window and shoots the first terrorist, we hear only one gunshot from Wax's gun but two bullet holes appear on the first terrorist's torso.

Reece says he is not sure if his fiancée is already at the convention, yet just seconds ago, Security just informed him that his ID has already been used to get in.

John Travolta makes this film fun. It's a little like Pulp Fiction meets Training Day.

James Reese (Jonathan Rhys Meyers) has always wanted a promotion in his special ops job. Charlie Wax (John Travolta), a crazy American spy, is there to give him the boost he needs.

All feminists should be required to watch this movie. They will hate it, and quite rightly so.

Wow!! I'm not sure what I was expecting, but from the moment John Travolta appears on screen – hang on!!!

Don't go in expecting anything artsy or original - it's an action flick with odd couple partners and fun one liners. After a slow first 15 minutes establishing the protagonist expectations and how much he loves his girlfriend (yawn) Travolta shows up - then it gets good.

Way over the top, I like action but this is just ridiculous. There is no chemistry between the two main characters.

I suppose that if you really, really believe that all you need to make a movie is a girl, a car and a gun, this is your movie. But I am tired of action movies that betray any sense of reality without going full fantasy, like "The Fifth Element".

This movie is literally one wild ride from the beginning to end and leaves little time for you to stop and catch your breath. It is purely an action movie with characters that are in a league of their own (though I wouldn't exactly call them well defined as this is an action movie and not really meant to have any literary value).

I watched it all, so it wasn't too terrible, more like regular old terrible.The worst part is the movie tries so hard to be more than it is.