Get Him to the Greek

When Aldous and Aaron are in the limo, on the way to the _"Today" (1952)_ (qv) show, the limo passes some buildings on First and Second Avenue twice.

The "Geoffrey Scene" occurs at dusk.

When Sergio chases Aldous and Aaron outside, it's clearly afternoon.

Near the end of the film, as Aaron and Aldous Snow are driving to the Greek, Aaron vomits all over the inside of the windscreen.

Six minutes later the windscreen is clean, and Aaron is driving home.

In the Vegas bar, Jonathan Snow's beer moves from one hand to the other throughout the scene.

During the drive from Vegas to L.

, the mountains behind Aldous Snow change and become darker (as if the sun was setting) within a few seconds.

At the first club, when Aaron and a woman are having sex in a stall, the toilet paper disappears and reappears between shots.

When 'Meredith Vieira' (qv) interviews Aldous, a blonde, long haired-woman in the crowd is wearing a red t-shirt with a purple cloche hat.

In the next scene, the same woman is wearing a gray dress.

At the airport, Aldous leans over, whispers to Aaron, and asks Aaron to put heroin into his rectum.

In the very next scene, Aaron acts surprised and Aldous is standing up tall.

When Aldous Snow is picked up at a London hotel, the car picking him up is facing so it would drive off on the right side of the street; correct for the U.

, not England.

When Aldous enters Aaron's house for the threesome, a boom mic is reflected in the glass of the door.

When Aldous and Aaron leave London to fly to New York, a twin engined Boeing 767 shown.

However when they land in New York, a four engined Boeing 747 is shown landing.

London to New York flights tend to be nonstop, so they wouldn't have changed planes.

Also when they fly to Vegas, they take off in a Boeing 757 and land in an Airbus A320, and the planes have different company liveries.

When Aaron calls Daphne from the club and he starts to argue with her, she is drinking a beer and pacing in front of the kitchen window.

Several members of the film crew are visible in the reflection from the window.

When they are in Las Vegas, the view out the window clearly shows the circular hotel tower of the old Sands hotel and casino, which was imploded in 1996, despite the fact that the film obviously takes place in 2009.

When Aaron is at the hospital asking Daphne to get coffee, there are some X-rays in the background.

The lower one is upside down (chest X-ray, lateral view).

When Aaron invites Daphne to the Mars Volta concert, Daphne's shirt sleeve (her right) keeps changing.

the hem's kinked up, or is normal.

The night of his concert at The Greek, Aldous suffers a compound fracture in his left arm where bones are sticking out of his skin.

At the Storytellers concert six months later, he has no visible scars on his arm.

In Aaron's POV camera shot of his tongue, lipstick appears around the tip of the tongue before the dancing girl kisses it (presumably from a previous take).

Unexpectedly funny, with many celebrity cameos, very grotesque on-drugs characters... Develops the same charm as "Fear and loathing in Las Vegas" while maintaining a certain message and character development.

This is Nicholas Stoller's first mainstream film in which he both wrote and directed, exploring the high's and lows of Jason Segal's Forgetting Sarah Marshall's character "Aldous Snow". Aldous Snow is the controversial, alcoholic, drug addict rock star stereotype played by Russell Brand.

The 1st hour of this movie is hilarious. Its humor is similar to the movie "Hangover" except there are slightly less obscenities.

I have seen this movie over a dozen times. It does not get old!

I guess your enjoyment of this film would depend on your tolerance for the strong flavour that is Russell Brand. For me personally, I find him amusing in small doses only and as a result, this near-two hour movie was just a bit much.

This was surprisingly funny for quite a few parts. I don't care much for Russell Brand but the funny Jonah Hill carries it home.

This movie is not far from being a masterpiece.Watch it if you like comedy, if you like good music and if you can laugh of drugs without being shocked.

(Flash Review)What would you do to keep a reckless rock star under control? A record company is looking for ways to increase sales.

Get him to the Greek is a slightly off beat gross out comedy from Judd Apatow stable, directed by Nicolas Stoller and is a loose spin off from Forgetting Sarah Marshall.Jonah Hill is Aaron Greenberg an ambitious music executive who is tasked by his boss (Sean Combs) to go to London and escort a controversial rock star to LA's Greek Theatre for a multi million dollar tour.