J. Edgar

After Emma Goldman's 1919 trial, reporters start shooting photos using flash bulbs.

They were not in general-use for photography until 1925.

An early Tolson/Hoover scene at the tailors, is set up with an exterior shot of a well-known Washington department store.

The stone engraving on the building says the "Julius Garfinkle" Company.

The correct spelling of that Washington institution was "Garfinckel.

" When a document from the store appears moments later "Garfinckel" is spelled correctly.

District of Columbia flags are displayed in congressional hearing rooms and in the Department of Justice building on various occasions.

As these are federal buildings, the red and white DC flag would never be displayed in that manner.

They are not District of Columbia offices, but federal offices.

Moreover, the District of Columbia flag did not exist until 1938.

The horse racing scenes in the movie were filmed at Del Mar Racetrack supposedly in the 1930s and later in the 1960s.

When the horses turn home you can see the track surface is not dirt, but a synthetic Polytrack surface.

This surface was installed at Del Mar for the 2007 racing season.

Del Mar racing prior to 2007 was run on a dirt track.

When Edgar's mother teaches him to dance, she has her right hand on top of his left shoulder and he has his left hand in the small of her back, which is the mirror image of the standard dance hand positions.

If she had been leading, her right hand would be in the small of his back, not on top of his shoulder.

Hoover and Tolson are in Del Mar, and gossip about having seen Desi Arnaz and Lucille Ball together at the racetrack before the two had even met.

Lucy and Desi did indeed have a home in Del Mar, but not for 20 years after the time of this scene.

Furthermore, they gossip about Lucy's fake red hair - she was not a redhead until 1943, having brown or dark blonde hair during most of the 1930s.

Additionally, Hoover refers to her hair as "ginger"--a British slang term unknown in the U.

in the 1930s.

Emma Goldman is interrogated in a scene early in the film, set in lower Manhattan in 1919 or 1920.

Through a window, we see the Statue of Liberty to the right, and the Verrazano Narrows bridge to the left.

This bridge was not built until the mid 1960s.

During telephone conversations, the corded handsets had a modular jack.

These modular jacks did not become popular until the late 70's through the 80's.

Until then the hand sets were hard wired directly to the telephone base.

Several times during the movie, J.

Edgar receives shot in his arm.

The injection plunger is clearly a modern plastic.

Glass and stainless steel injection syringes were common at the time.

When young Hoover is speaking across the desk of the attorney general, the time on the desk clock never changes.

Near the end of the movie, when J.

Edgar and Clyde are conversing with one another.

Edgar is wearing a pair of suspenders with brass adjustment clips on his chest.

These brass clips move from being parallel to being out of alignment and then back.

This happens several times during the scene.

Tolson tells Hoover that firing Purvis would be "a P.

disaster.

" The use of "P.

" to mean "public relations" was unknown in the 1930s.

When Hoover and Tolson attend the premiere of "G-Men," it is projected in the modern "flat" ratio of 1.

85:1 instead of the correct Academy ratio of 1.

When Hoover is cracking the shell of eggs with Tolson, you can clearly see the fat pad around DiCaprio's waist as he bends over.

In one scene set in the 1930s the Federal income tax department is referred to as the IRS.

The name "Internal Revenue Service" was only given to that department in the 1950s.

Previously it was called the Bureau of Internal Revenue.

As the 1933 Inauguration parade passes by Hoover's office in the background, outside his window, is the National Archives building.

Its cornerstone had been laid, at most, one month earlier in February 1933 and the building was not completed until late 1935.

The movie portrays the Lindbergh kidnapping as being the reason for the origin of the crime laboratory.

In fact, according to the FBI website, the lab was much earlier.

In addition, it was the New Jersey police and Schwarzkopf who did the work on the ladder, including the forensic work that led to the mill where the kidnapper was employed.

Schwarzkopf, incidentally, is the father of General Norman Schwarzkopf, the commander of Desert Storm.

Hoover tells Tolson they're going to Del Mar.

But the scene is set in 1934, before the Lindbergh baby is found and before Del Mar actually opened, in 1937.

Hoover states that the Lindbergh baby's body was found in a spot that was within sight of the Lindbergh home.

The body was found in Mount Rose, as shown in the film, but this is located miles from the Lindbergh home, which was in the Sourlands.

When Hoover calls RFK to tell him JFK has been shot, RFK is taking the call in his office.

In reality RFK was at his home in Hickory Hill having a lunchtime meeting and took the call by his pool.

Neither Hoover nor Agent Melvin Purvis killed John Dillinger.

Dillinger was actually gunned down by agents Clarence Hurt, Charles Winstead, and Herman Hollis.

Most historical accounts give Winstead credit for delivering the fatal shot to the back of Dillinger's head.

Ironically, given the film's depiction of Hoover as constantly claiming credit for the deed, Winstead received a personal letter of commendation from Hoover for it.

While J Edgar eats dinner at home with his mother and his niece, the niece's fork arm changes positions several times between shots, resulting in a vanishing carrot that eventually gets eaten twice.

Whatever you may think about J. Edgar Hoover, he brought science into criminal investigations establishing the first national fingerprint registry, and creating a forensics laboratory at the FBI.

This film tells the adult life of J Edgar Hoover, the founder and head of the Federal bureau of Investigation.I was unfamiliar with the life of J Edgar Hoover before watching this film.

Eastwood the director was more hard hitting when it came to Flags of our Fathers than he is with Hoover.Once more DiCaprio plays a real life, divisive character who had a malign influence for decades in the USA.

DiCaprio was horribly boring, as usual! My wife and I tried for 45 minutes to find anything redeeming in this travesty and gave up!

J. Edgar tells the story of John Edgar Hoover and how he built the F.

This movie evades practically all the dirt on J. Edgar and portrays him as a dyed-in-the-wool anti-Communist and criminal basher.

J. Edgar Hoover would absolutely revile Clint Eastwood's J.

A while ago, a friend was asking around for movie recommandations. she wanted "feel-good" movies, but that weren't clichés romantic comedies either.

A great director. a delicate subject.