Kill Bill: Vol. 2

When the Bride is being buried alive, several times a faint reflection can be seen from the head of her flashlight, despite being six feet underground.

When Budd is confronted by his boss Larry, the boom mic is reflected in Larry's sunglasses.

The extreme close-up of the bride's face as she looks down upon Budd's trailer shows the reflection of the cameraman in her eyes.

When The Bride is stuck in the coffin, and starts punching it, the first two times you can see cracks all around the place she hit, then when it comes back for the third and fourth times, all the cracks are gone.

During Elle and the Bride's fight scene (in Budd's trailer), the Bride throws a can of tobacco spit in Elle's face.

After Elle says "Gross", the spit is not on her face when the camera returns to Elle.

Esteban Vihaio places his glasses on his book with the temples unfolded.

In subsequent shots, the glasses appear folded and finally unfolded again.

When the Bride rips off the antenna from the TV in the trailer, a bottle of "Black Death Icelandic Schnapps" falls down.

In the next scene, the bottle is standing on the TV again.

About a minute into the Bride/Elle Driver trailer fight scene, Elle sends the Bride tumbling into a wooden rocking chair, thus knocking over a coffee can containing expelled dipping tobacco fluid.

When she recovers, the can has somehow been righted and is ready for the Bride to grab and empty in Elle's face.

During the fight between the Bride and Elle Driver, Elle's boots change from Stiletto heels to normal heels.

In the beginning of the fight Elle drives her stiletto heel into the Bride's foot.

Later on, while they are fighting in the bathroom, you can clearly see Elle's boot with a different, western boot style heel.

During the fight between Elle Driver and the Bride, the eye patch moves and you can see the reflection of the "missing" eye beneath it.

At the wedding rehearsal, the minister's gestures for the seating arrangements are incorrect.

When The Bride is trying to drown Elle in the toilet, you can clearly see the plexiglass in front of the camera (scratches are visible on the sides).

In Budd's camper, Budd prepares Margaritas for himself and Elle.

His prep and pouring are very sloppy and we see the mix splashing all on the cutting board as he pours it into the glasses.

Then, as we view him coming around the counter to serve Elle her drink, the cutting board is clean and appears dry.

When the bride is stuck in coffin, she hits hard it and her hand gets bloody.

In the next scene in the café her hands are clean.

At the end of the fight scene when Elle Driver retrieves the Hanzo sword from down the passageway, she throws off the sheath of the sword, hitting the ceiling lamp behind her and knocking the light out.

In the next shot, the light is back on and the lamp is hanging perfectly still.

When Budd and Elle are in the trailer talking, Budd pours only a little margarita in each glass, spilling a large amount on the table.

Each glass can be seen less than half full.

When he walks towards Elle and hands her a glass, both glass are more than half full.

Each glass is obviously more full than in the previous scene.

When The Bride is outside Budd's trailer, she is wearing a tan leather jacket and it is zipped, when she opens the trailer door, there is no jacket.

In the next shot, she is wearing an unzipped jacket.

When she is on the ground and in the coffin, there is no jacket.

When the chapter "Elle and I" starts, we see Elle pass a truck as she drives by.

Behind the truck, we see another car coming.

However, if you look to the right in the next shot, we see the car never passes by.

As Elle calls Budd, you can see her holding a cigarette with her right hand and holding her cell phone with her left.

When the camera cuts back to Elle within a second, the positions of the objects she is holding completely switches sides.

When Budd is preparing to bury the Bride alive, he dumps a big piece of plywood onto the coffin and nails it down, but plywood is impossible to punch through, so when the Bride goes to punch her way out of the coffin, it's now made of slats, conveniently arranged so that the grain works with her.

Many errors are thought to be deliberate, or, at least, left in as a matter of stylistic choice in this pastiche of 1970s "B" action movies.

- When Beatrix is trying to escape from the grave, she damages her right hand, which bleeds.

When she goes into the coffee shop, her hand is fine.

- Bill wipes away some of the blood on his face; in the next shot it is gone completely.

- Budd's boss scribbles a continuous line through the roster, but in the next shot the scribble is disjointed.

- During the final conversation between Bill and Bea, the label on Bill's bottle keeps rotating between shots.

- When Bill hands BB her sandwich, the cutting board is clear of the cut crusts.

In the next shot, he cleans the cutting board clear of the crusts to continue making another sandwich.

- When Budd kicks Bea's sword away outside his trailer, it sticks into the side of the garbage can.

When it cuts back the sword is on the ground.

Cut again, the sword is back in the can.

Then you hear Budd pick it up off the ground as he's talking to Elle.

- When Bea enters Budd's trailer her jacket is zipped up.

After he shoots her and she's lying on the ground, it's open.

- Before Bea is put into the coffin, her legs are tied with a long piece of skin.

In the coffin, they are tied with a belt.

- When fighting in Budd's trailer, Bea sticks Elle's head in his toilet.

Later in the fight, you can see the toilet with lid closed and porn mags stacked on it which is quickly followed by a shot with the lid up again when Elle is thrashing around blind.

- In final conversation between Bill and Bea at the patio table, the cork bottle top continually changes position between shots.

- When Bea is getting ready to sit down on Bill's circular couch in his living room, the wide shot reveals her about to sit down with a red pillow behind her.

In the following medium shot, the pillow has moved to her left.

- Bill cuts three crusts off BB's sandwich.

In the next shot all four crusts are cut off.

- When Bea is underground punching a hole in the coffin, there are no knots visible to us on the first punch she gives, though after the first punch, 2 knots are appear.

- When Pai Mei shoves the bowl with rice at the Bride, it stops at the edge of the table.

In the next shot it is much closer to the middle of the table.

- A bandage on Elle's right middle finger disappears and then reappears several times in Budd's trailer.

- When Elle is fighting Bea, in the beginning, Bea cuts Elle's face with a TV antenna.

But later in the fight, when they both have samurai swords, the cuts not there.

- When Bill poses as Arlene's father, he has his hand on Bea's left shoulder.

His hand subsequently disappears and reappears between shots.

- In the final chapter where Bea goes to Mexico for her final showdown with Bill, we see her driving in a convertible with a new, much shorter and blonder haircut.

All of the subsequent events show her with the shorter blonder 'do, but then in the final scene (the next morning) where she is with BB in the hotel room, her hair is long and dirty blonde again.

- When Budd is talking to Elle in his trailer he rests his right foot on the suitcase of money.

In the next shot it's his left foot then back to the right foot again.

The bride's hair is longer in the "next morning" scene in the hotel room than it was the night before at Bill's.

When BB fell asleep after watching Shogun with Mommy, Bea covers BB fully with her blanket, and puts BB's doll fully under the blanket, in the next scene we see the doll outside of the blanket.

Also in the wider angle scene which Bea about to leave the room, we see BB's blanket is not fully covering her but over her belly.

When Beatrix is on the patio, after being "shot" by her daughter, she is sitting on the ground hugging her, the sword on her back disappears and reappears numerous times between shots.

When Elle drives up to Budd's trailer, she parks pretty close to and at a 45 degree angle to the trailer.

When they show the scene later from Bea's point-of-view, Elle now parks the car father away and at a 90 degree angle to the trailer.

While Budd is dying and Elle is reading from her notebook, the notebook is shown.

The bottom of one page is the phrase "from a single bite", however when she reads this page, she has to flip to another page to read this line.

Outside the "little chapel in El Paso" at the Bride's wedding, there can clearly be seen a Joshua Tree.

There are no Joshua Trees in Texas.

After Bea hits Bill with the 5 Point Palm Exploding Heart technique, he is only supposed to be able to walk 5 steps before dropping dead (according to the legend of the move's power), yet he manages 6 steps (hard to see the first step since it's below the camera's vision).

At the beginning of the talk between Beatrix and Esteban Vihaio there is a glass of brandy on the table in front of him, between the lighter and the book.

Next time the table is visible the glass is missing.

When Bill is making his 'superheroes' speech to the Bride, he states that DC Comics' Superman is unique among superheroes in that he actually IS the hero, and his day-to-day persona (Clark Kent in this case) is his ASSUMED identity.

However, this is also true of Marvel Comics's Thor, who actually IS the demigod/superhero, and ASSUMES several human identities.

Budd shot Bea with a load of rock salt in the chest, and blew a hole in her clothes and chest and bloodied her clothes and chest.

By the time Bea made it back to the trailer, the blood and mess were gone and no wound existed in her chest.

However, in volume 2, the film gives me a very different feeling, there are no gore action and art like in vol 1 but here is the mentality of a mother, a student, a wife .

Vol. 2, Tarantino's fifth film, follows Uma Thurman's ass-kicking Bride on her revenge mission.

Tarantino's masterful Kill Bill plot has returned with an exhilarating spark. The Bride won't stop until she has her revenge.

Since I don't want to give anything away, I just want to say - this is a terrible movie.I was not a huge fan of the first part despite some nice dialogue and great fight sequences, but I was ready to walk out of the second movie after they decided to chat for 20 minutes near the conclusion.

Kill bill is a mash-up. We can strongly feel the influence of the Hong Kong martial arts films in the 1960s and 1970s in the film.

Until the end of the day, you still think of yourself as a professional killer with blood on your hands. Children wake up your motherhood, but the hatred in your heart can't be forgotten.

Albeit I like vol.1 more (which is normal, for a fan of Shogun Assassin), comments like "why so many pointless dialogs" or "she wrote a list, but failed to kill everyone" surprise me.

I wrote in my review of Kill Bill Vol. 1 that perhaps in the second film there would be an explanation as to how the Black Mamba became so skilled and what really was the root of her deep hatred and anger towards Bill.