Taal

Mansi leaves Vikram and runs to Manav.

While running she holds her long flowing skirt in hand.

It should be remembered that a little while ago Mansi's hands were bleeding when she cracked a glass with her bare hands.

However when she held her skirt there were no blood stains were left on it.

And the show goes on..... The maverick director in Subhash ghai proves again the title of showman given to him..

Rating6/10Good music by A R Rehman in Bollywood love triangle. Khanna is ok while Kapoor overacts.

I am a big fan of the work of Mr Subhash Ghai,a very talented director who makes meaningful films with wonderful music time after time. The story is nothing too complicated, but the film is almost flawless technically.

AR Rahaman, as usual has composed a set of brilliant songs, which was the primary reason I watched the movie. But beside the music, the movie left me shocked--it was a long, boring, and never ending childish play with horrible acting--while watching the movie I was wondering who buys such crap?

The specialities of movies made by Subash Ghai remain the camera work and music though the stories he takes are quite familiar. "Taal" is simply a love story with a wafer thin plot, but the flow and the beauty with which the film proceeds is pretty attractive.

One of the better films i have seen.And definitely one of the better by Subaash Ghai.

I just watched the movie, after 11 years of its release; got totally involved in the movie. It was stunning, especially considering the fact that I already knew the story.

I liked this movie a lot, but the first hour drags and is pretty darn silly. When the story moves to Bombay it takes off, and there's hardly a letup in interest and music video dazzlement until a rather slow and awkward conclusion.

The scenes reminds me of my school days near Darjeeling. Anil Kapoor (Vikrant) was great and his role is more sympathetic that of Manav.