The Birds

After Melanie delivers the lovebirds to the Brenner home, the camera follows her as she walks back along the jetty to her boat, with the dolly track clearly visible.

When Melanie gets out of the boat after the seagull attack she appears not to have her purse on the pan-and-scan version.

When Melanie and Mitch are together on top of the bluff at the children's party, each person casts two sets of shadows.

When Melanie is climbing upstairs we see her shadow on the wall, even though the only light source is the flashlight she is using.

When the children are running from the school while being attacked, the birds attacking them cast no shadows.

After the seagull attacks Melanie on the boat, her hair appears disarranged.

The next shot shows her hair neatly arranged again.

When Melanie brings Lydia some tea, while Lydia is in her bed, Lydia's hair first looks disarranged.

Then her hair is neatly arranged, the next shot it is disarranged again.

When Melanie enters Bodega bay school for first time, we can hear the child singing even when they turn around to see Melanie, and are clearly not moving their lips.

When Melanie is lying unconscious after the birds attack her, Mitch gives her some brandy to 'alleviate' the pain.

However, in no way should he be giving her this because any liquids given to an unconscious person could cause them to choke, and they should especially not be given any alcohol.

When Mitch tries to close the window shutter as the birds attack, his hand is extremely bloody.

However once the window is closed, there is much less blood showing.

At the end of the movie when Mitch gets in Melanie's car to take it out from the garage, he closes the window of the car.

After a minute when he gets of the car in front of the garage the window is open.

When Melanie was driving her car to deliver the lovebirds, there's a shot of the front of the car and the camera is reflected in the window.

While in the car when the crows attack the school, Melanie's left hand is by her head when she beeps the horn.

In the next shot, her hand is on the steering wheel while beeping the horn, the next shot her hand is by her head again.

In the phone booth, Melanie has her back on the phone.

But in the next shot, she is by the phone not front.

After two birds break the glass on the phone booth, it appears that the glass isn't shattered when Melanie is grabbed out of it.

When the gull attacks Melanie, at the 24th minute, we see Mitch jumping from the pontoon twiceonce from Melanie's point of view, then a second time from the pontoon.

And Mitch's attitude is clearly not the same in the two shots.

There is an obvious synchronized backdrop used when Melanie is crossing the bay in the little motor boat to see Mitch; same thing on the return trip.

When Melanie arrives for dinner with Mitch and his family, the driver's seat of her car is clearly set further back than the rest of the front seats.

When she leaves, she gets into the car and we see the driver's seat is now perfectly aligned with the rest of the seats.

During the bird attack on the house, Melanie falls back, almost swooning and crushes a lamp-shade.

But, during the rest of the movie, the lampshade remains in perfect condition.

As Melanie is in the boat crossing the bay, the reflection of the overhead lights can be seen on the casing of the outboard motor.

Annie and Melanie open the door to Annie's house when a seagull hits it.

As the door opens houses are clearly visible across the road, after they look up again from the dead bird the view is now the bay with no houses at all.

During the scene where the red haired girl falls, she breaks her glasses, however her face was too close to the ground for the glasses to shatter so badly.

The cracks on both lenses are also thick white star burst patterns showing they had been already smashed by something like a hammer, and even if the glasses had genuinely smashed from landing on the ground, the damage would not be identical to both lenses seeing as how they landed at an angle, only one lens would have sustained the most damage and left one side still in tact.

The glasses were broken before they were even dropped.

When Melanie rents the boat to go across the lake, she does not make any payment or leave a deposit.

When Melanie is calling her father from the restaurant, her left hand is holding the phone wire.

In the next shot, her hand is still holding the phone wire but she has a much looser grip on it and her hand is closer to the phone.

When Mitch is boarding up the house, he does not even use nails for the last one.

All he does is set the board on top of the bottom one and tap it with the hammer.

When Melanie Daniels is sneaking up Mitch's dock to deliver the lovebirds, she looks over at the barn he's in, the sky has a complete gray cloud cover.

Seconds later, she looks at the barn, not a cloud in the blue sky.

An earlier post states that on the drive to Bodega Bay Melanie's car is "heard accelerating but her foot is flat on the floor not on the pedal.

" This is incorrect.

If you look closely you can see that her right foot is on the accelerator pedal (the top right corner of the pedal is visible beneath her shoe).

Also, the movements of her right foot do match the sounds of the shifting.

While chatting, Annie leans against Melanie's car after they have just met.

Melanie thanks Annie and speeds off.

In the next shot and while Melanie has clearly left, Annie seems to just having left her prop and stands on her feet again.

Also the car sound can be heard in a distance.

At Cathy's birthday party, when Mitchell and Danielle climb the small hillock to chat, Mitchell is holding a bottle of colored liquid, probably whiskey.

After the camera angle changes, when they approach the top, same bottle now has some clear liquid.

While Melanie is driving to Bodega Bay with the love birds, she is seen driving very fast and screeching around every corner, yet the road is gravel until she arrives within the town limits.

Melanie is able to deliver the lovebirds by piloting a boat to the Brenner's dock.

At Cathy's party the next day, we see from the top of the hill that the dock is not accessible by water (water level too low).

When Melanie parks her car in the town, a cable or hose can be seen dangling underneath it.

When she drives off and parks again at Annie's house, nothing is dangling.

Twice in the movie, a kettle and serving carafe clearly show multiple bright studio lights reflected in them.

I may be in the minority, but I feel that "The Birds" was Alfred Hitchcock's masterpiece. The basic premise of the movie is as compelling as any can be the feathered creatures in the trees and in the sky, which we all take for granted, suddenly begin acting strangely, attacking humans.

Indubitablement le plus célèbre et probablement le plus réussi des films d'invasion et d'attaque de l'homme par l'espèce animale. Les effets spéciaux signés Ub Iwerks sont excellents pour l'époque et font toute la (redoutable) crédibilité des scènes de terreur.

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Many have pointed out what they see as shortcomings of this film. No explanations for the avian assaults, an ambiguous ending, heck it doesn't even have a soundtrack.

Alfred Hitchcock's physiognomy, visage and appearance has all that he portrays in his thrilling, suspense laden and at times nail biting cinematic sequences. He definitely introduced the horror side of cinema to the world.

Or is it bad Birds? Then again without motivation or explanation can we actually say which?

I consider THE BIRDS to be the start of Hitchcock's late career slump. All his post-PSYCHO films just seem to lack the same amount of passion and intrigue of his earlier work.

Just got done with The Birds movie by Alfred Hitchcock. Had heard about it so finally got my hands on.

I was looking for a movie to watch and this one caught my eye because of Alfred Hitchcock. It's a long movie, about 2 hours and it really takes you for a wonderful ride.