The Godfather: Part II

The American flags visible in the 1917 street carnival should have 48 stars, not 50.

The supposedly dead prostitute can be seen breathing by the movement of the white sheets.

In Havana, when Fredo and Michael are talking around a table in the bar, a lit cigarette appears suddenly in the Fredo's previously empty right hand.

When Vito shoots Fanucci in the chest, a small puff of smoke can be seen from the squib.

When Michael returns from Las Vegas after Christmas, he is carrying a briefcase in one hand, and nothing in the other hand.

As he walks into the house, he's holding the briefcase in one hand and a lit cigarette in the other.

Shortly after the assassination attempt on Michael in his bedroom, he meets alone in a room with Tom Hagen.

They sit at an empty table.

After talking for a few minutes, Michael offers Tom a glass of Courvoisier, from a bottle which has randomly materialized on the table.

After Vito Corleone kills Don Fanucci and is sitting on the steps with his family, Sonny can be seen yawning; however, when we cut to a shot of Vito holding Michael, Sonny's body is in a different position and his facial expression has clearly changed.

Also, when we cut to the pan version after Vito has told Michael that he loves him, Sonny has the end of the flag out of his mouth and is sitting with his hands on his lap.

When Vito and Genco go to the theatre, and watch the 'Senza Mama' show, the singers voice is clearly out of sync with the words of the song.

During Roth's birthday party, the pattern on his shirt changes.

Due to weather difficulties, the two minute scene took over a week to shoot and the original shirt was lost at some point.

The production designer attempted to recreate it by drawing an approximation of the pattern onto a plain shirt, but it didn't quite match.

When Vito is driving and Fanucci hops onto the car, another car passes between the camera and Vito's car - Coppola and the camera can be seen reflected in the car's window.

When Michael and Kay are in their bedroom after the party, Michael is looking out the window, and below him is a mirror that shows Kay's reflection.

When Michael ducks to avoid the wave of bullets that comes through the window, Kay's reflection disappears.

When traveling into New York harbor for the first time, young Vito's boat is traveling south, away from Ellis Island toward the ocean.

When young Vito is quarantined, we see him looking out the window at the Statue of Liberty.

From the outside shot he appears to be standing at the right-most window pane, but when we see the scene from inside, he's at the other end of the window (i.

, what would have been the left side as seen from the outside).

When young Vito is quarantined, we are led to believe that he is still on Ellis Island.

As he looks out the window, the shot from outside shows the reflection of the Statue of Liberty.

By that reflection (the front of the Statue) Vito would have to be on Governors Island.

When Michael is confronting Fredo in the den, he is eating a piece of fruit which changes size inconsistently between shots.

At the end of the movie in the flashback, they talk about the Japanese attack on Pearl Harbor happening "on Pop's birthday".

The Pearl Harbor attacks were on December 7, but according to his tombstone, in _The Godfather (1972)_ (qv), Vito's date of birth is April 29.

During the shooting into the Corleones' bedroom, the mirror on the dresser shows Kay sliding off her side of the bed as soon as the gunshots pierce the window and at this point her pillow is vertical.

But as Michael crawls to Kay's side of the bed, she's back on top, waiting for him to pull her down, and her pillow is now laying flat.

When Michael returns to the snowy Lake Tahoe estate, we see him looking at a toy red car and then walking past a window.

In the next shot, when he enters the building, he suddenly has a lit cigarette in his mouth.

In Michael's office during Anthony's communion party, it appears the Senator sets down his bottle of pills on the table after he takes them and never picks it up.

However, although very brief, immediately after setting down the drink used to take the pills, you can see the Senator motion for his pills.

After returning from a shot of Michael, the Senator is then seen closing his right pocket, presumably with the pills inside.

) When Vito Corleone arrives at Ellis Island, he was marked with a circled X and sent to a nurse because he was suspected to have smallpox.

In history, the circled X was a sign for a mental illness.

After Vito shoots Fanucci, the towel that is wrapped around the gun catches fire.

The next scene shows Vito discarding a smaller towel with no burn marks on it.

When Signor Roberto visits Vito at work, Signor Roberto counts money on Vito's desk.

The arrangement of the money changes between shots.

After the attempted assassination on Michael, Tom and Rocco are overlooking the discovery of the dead bodies in the water.

When Rocco turns away from Tom to ask where Michael is, his lips do not move while the soundtrack says "Where's Michael?".

When Michael's henchman is strangling Johnny Ola, the hanger the henchman uses for the garroting slips from his left hand.

Ola has to use his own hand to keep the hanger gripped around his own neck.

In his later scenes, Don Fanucci has slash marks on his neck/throat area that weren't there earlier.

(This is because of a deleted scene in which Fanucci is jumped on the streets by a group of young thugs, who slash him.

The scene doesn't appear in the regular cut of the film, but does appear in the "Complete Novel for Television/Saga" edit, and as a deleted scene in the DVD set.

) When Vito with his family leaves Corleone to go back in the States, he starts his trip taking a train in the Corleone station.

Corleone never had a train station, the nearest (34 km) useful train station is in Palermo, and is not looking like the little village station we see on screen.

In the Havana scene (pre-1959) where Hyman Roth is being examined in his hotel room by a physician, one can hear distinctly the sound of Velcro as the blood pressure cuff is being removed from Roth's arm.

Velcro was not commercially available until the 1960s.

At the New Year's Eve party in the Cuban ballroom, there is in aerial shot that clearly shows Michael with his hands around Fredo's face amidst a very crowded room to deliver "you broke my heart".

However this had not taken place yet because Michael is eating at the end of the table with Fredo and Senator Geary *before* the midnight celebration.

"You broke my heart" comes after the stroke of midnight.

Also, the room was far less crowded as they were eating when a unit of soldiers march thru the middle of the ballroom.

When Tom Hagen flies into the Nevada brothel to "rescue" Senator Geary (a common method to arrive at them at their remote parts of the state) he arrives in N3254S, it is a 1964 Cessna 182G.

The time in the film is before the 1959 Cuban Revolution and a straight tail 182 would have been in production at the time with the slant tail not seen until 1964.

- PLOTThe Chairman of the Senate Investigating Committee asks Michael, "Is it true that in the year 1950, you devised the murder of the heads of the so-called Five Families in New York?" But at the party in the opening scenes, which takes place in 1958, Kay reminded Michael that, seven years previously, he had promised her that "within five years, the Corleone family will be completely legitimate.

" If that conversation took place in 1951, then the murders the Chairman referred to, which came afterwards, could not possibly have happened in 1950.

In fact, since Michael refers to his son (who was neither born nor even conceived in 1951) being three years old shortly before the murders, it is probable that the murders did not occur before 1955.

The ship on which young Vito Corleone arrives in the United States during 1901 is The Moshulu.

But the Moshulu was not launched until 1904 and did not travel to the U.

until 1914.

The original name of the ship was The Kurt.

It was renamed The Dreadnaught in 1917 and shortly after re-named The Moshulu.

In the opening scene when Vito's mother touches Paolo's body, his hand visibly moves.

His fingers curl up and that is something a dead body just can't do.

When they are passing around the solid gold telephone, most of the people show how heavy it is.

And yet, when Michael Corleone, and Hyman Roth handle and pass the telephone, it appears light as a feather and no indication is given as to how truly heavy a solid gold telephone is.

Thus destroying the illusion that it is real.

The Lake Tahoe estate is in Nevada.

The small boat that Fredo was killed in had a CF registration number indicating it is in California.

The Lake Tahoe scenes were shot at the Kaiser estate that's located on the west shore of Lake Tahoe.

The aquarium at the Tahoe estate is of a type (without metal frames) that did not exist in the late 1950s - early 1960s.

New silicone adhesives made frame-less aquaria possible only a few years before the film was shot.

As Fanucci mounts the stairs, prior to being assassinated by Vito, the towel wrapped around Vito's gun varies between a cone-like shape and a flat-ended cylinder.

In the close-up as Fanucci reaches for his keys, it's a cone; as he unlocks the door and tinkers with the lightbulb, it's a cylinder.

The appearance when the gun is fired is different again.

When Vito's mother runs to the dead Paolo in the foreground, the boy playing Paolo can be seen breathing up to the point the mother picks the body up and then lies on top and cries that hides the continuing breathing.

The hand of the boy also moves back into its original position when Vito's mother puts him down instead of remaining where it lands.

The carpet that Clemenza starts to roll up before he is interrupted by the knock at the door, is much smaller than the one he and Vito are shown carrying into the building in the next scene.

During the Cuban rebel uprising scene, a store is looted while Michael Corleone makes his escape.

Something is stuck to the camera lens and can be seen as a silhouette on the screen.

When Fredo gets to the hotel in Havana, Cuba, the Dominican Republic flag is clearly visible on the flag pole.

When Vito shoots Fanucci in the chest there is a bullet hole in his vest, however when Fanucci opens his own vest to look, there is no hole or any blood on the shirt underneath.

After he is shot for the 2nd time (in the head), his shirt is all of a sudden covered in blood (supposedly from the 1st shot).

During the final scene flashback, they are talking about the attack on Pearl Harbor happening on "Pop's birthday".

It is also revealed that this led Michael to enlist in the army "this morning".

Since the attack happened in Pearl Harbor at 8AM local time, news of the attack couldn't have reached New York before 1PM.

When Michael is waiting to see Fredo (during the mourning gathering following their mother's death), Michael is wearing a watch.

Then when he goes in to see Fredo (and give a nodding approval for his assassination) the watch is clearly absent.

On the driver's side of the windshield of the red and black automobile that Michael Corleone drives to Hyman Roth's home in Miami, there is a 1970s Florida Vehicle Inspection sticker.

The story takes place in the 1950s.

- PLOTThe text in the funeral scene says Vito was nine years old in 1901, but according to his headstone in _The Godfather (1972)_ (qv) he was born in 1887 and would have been 14 years old.

The Chairman of the Senate Investigating Committee points out 1947 as the year Michael Corleone kills Virgil Sollozzo and Captain McCloskey; but in _The Godfather (1972)_ (qv) it was established as happening in 1946.

When Tommasino is shot in the gun battle after Vito kills Don Ciccio, the ropes that are used to pull out his legs are visibly pulled, causing him to fall over.

In the scene where young Vito arrives in New York and the Statue of Liberty is shown, the patina on the statue is clearly bright green.

The patina on Lady Liberty would not have been completely developed in 1901.

In 1900, the patina was covering most of the statue, starting with the torch, arm, head and torso, but not the entire length of the statue's dress as shown in the film.

It should have been covered in a patchy patina from the waste down, with a primarily brown color.

The 'solid gold telephone' is a fake.

If it had been made of massive gold, it would have weighed 15-25 kilograms.

Something a normal grown-up man can lift, but not without noticeable exertion.

Michael comes home to Lake Tahoe, after Christmas, his car passes through the gate, and the gate is closed by one of his security team.

On the gate is an "ADT" security monitoring sign, which was introduced in 1974, not in the late 1950's.

When the mule used to sneak young Vito past Don Ciccio's men walks through the piazza, we hear the clacking of it's hooves.

However, the piazza seems to be covered in dirt, rather than stone.

Vito's surname is changed at Ellis Island in the movie.

In reality, this almost never happened unless requested by the immigrant.

Each immigrant had to have paperwork specifically saying their first and last name, and if something did not match, they were sent back to their home country to retrieve the correct paperwork.

Last names of immigrants changed on a whim (like in the movie) are a commonly believed (but untrue) myth.

In the street scene outside the Hotel Washington after the Senate hearing, the rear of a Greyhound motor coach is visible.

The vehicle in question is a GM Coach PD-4106, which did not enter production until 1961, two years later after the hearing.

Further the livery (the color scheme) was not the original one applied at the factory; it did not begin to appear until 1964, five years after the hearing.

As Michael and his men head to Florida, there is an external shot of the front of the train they are traveling on.

It is clearly a Union Pacific Railroad train with the bright yellow orange diesel engine with the UP emblem, blue wings with a red and blue shield.

Their coverage is entirely west of the Mississippi River.

When Roberto the landlord visits Vito Corleone in his office, he lays money on the desk before Vito.

Vito doesn't touch it, however after the cut the money's position on the table is rotated.

During the "Little Italy" parade in the long shot a white man opens a window and looks out.

Clearly with his big Afro and mustache, he is part of the 1970's, not early 1900's.

When Michael reads his prepared statement to the Senate committee he states that he received the Navy Cross for his wartime service; however, in The Godfather he wears the ribbon for the Silver Star instead.

In the starting scene where the coffin is carried and the bullets fired killing a few people, the boy who is shot dead moves his hand when a lady falls on him crying.

His hand and fingers are seen clearly moving.

When Michael's henchman is strangling Johnny Ola, the hanger the henchman uses for the garroting slips from his left hand.

Domenic Chianese (who plays Johnny Ola) has to use his own hand to keep the hanger gripped around his own neck.

This movie is too long, but it keeps you excited,so you dont feel the 3 hours at all.

I suggest you to watch it. I loved it.

I just love the dialogues. great work.

The Godfather II(1974)an epic film. Al Pacino is a great, passionate, and jolly good fellow AKA GOOD DUDE no one better not deny.

Francis Ford Coppola returns to direct this brilliant sequel that matches the original, a stunning achievement. Story continues the saga of the Corleone family, which sees the return of Al Pacino, Diane Keaton, Talia Shire, Robert Duvall, and John Cazale.

Wow, this film is amazing! The flashbacks of young Vito becoming a well-respected man building his empire compared with Michael, leading it into destruction, killing his brother, kicking out his wife and turning his own sister into a woman who is mistreated by men make great contrast.

The first was a stable but the second is packed with so much more. Keeping it short but this is definitely a movie you want to watch at one time.

Darker than the first one, focuses more on the contrast new and old America. Incredible performance by Pacino and Fredo.