During the chase from the Encom Building and the two police cars pull out from the side streets on his left and right to stop him and pull up close together.
As he looks behind him then again forward we again seeing the same two police cars pulling out from the left and right again.
Flynn's Arcade was supposedly locked up when Kevin Flynn disappeared in 1989.
However when Sam is walking through the arcade, one of the machines is _Mortal Kombat (1992) (VG)_ (qv).
When Sam deactivates the screen saver on the computer hidden in the arcade, we see one window with, among other things, an indication that the machine he's working on is a sun4m.
The first sun4ms weren't announced until about 1992, well after the time that Kevin Flynn disappeared.
When Edward Dillinger Jr.
logs into the console during the board meeting, if you look very carefully during the cut-scene from his typing to the console screen you will see "Ubuntu" as the actual console root.
When Sam Flynn is first brought to Clu, his identity disk on his back is not illuminated.
The inner ring on both sides is always supposed to be lit, but several times in side views, various characters ID disks aren't lit.
On the solar sailor leading to the portal Flynn changes position during his "knocking on the sky" yoga pose, while Quorra is talking to Sam.
When Rinzler captures Quorra and escorts her to Clu, the picture is mirrored (one can clearly see her costume and haircut being reversed).
When CLU holds the speech in front of his army, there is a close up of one of his soldiers' helmets.
CLU is seen mirrored right in the centre of the visor.
In the next shot we see CLU standing on his podium yet not a single soldier is actually standing in front of him.
The reflections on all visors should thus, with all soldiers looking straight ahead, either be on the left or the right sides of the visors, but never centered.
During the fight in the End of line club.
Gem is directly on the right of Castor.
But after Quorra arrives, Gem is no longer directly next to Castor.
When Castor pronounces "Behold! the son of our maker!" Gem appears on the right of Castor, but a few feet behind him.
Then makes a motion as if to play his cane like an air guitar, Gem is now taking a seat right of Castor instead of standing.
When Castor fires his cane, Gem reappears on the right of Castor.
Sam is shown with a baton attached to his right leg in the shot of the circular arena elevator.
He does not receive it until the lightcycle duel, and it is not shown again until then.
After their BASE jump from the top of the Rectifier, Sam's disc is not on his back during his close-up with Quorra, but it is in the other shots.
During the opening sequence, the camera flies from the downtown area of the city, across the bay, to Flynn's house, and into Sam Flynn's bedroom.
Thus, his bedroom window should face the skyline of the city.
However, when he looks out of his window, there are no buildings visible.
When Clu is talking to Castor/Zuse in the bar, Castor/Zuse's skin changes from blue to Caucasian and back again between shots.
We see Kevin Flynn lying on his bed, dreaming of being with Sam on a beach and he is wearing knee length shorts.
When he gets out of bed, he is wearing full length trousers.
The Ducati Sam is the Sport Classic 1000 Biposto.
It's often confused with the Monoposto version due to the removable passenger seat cover.
This cover is in place through most of the movie, including when Sam arrives at Flynn's Arcade, but is removed when he and Quorra leave.
When Kevin, Sam, and Quorra are traveling on the train to the portal, one of the trapped programs is seen moving.
As the lights in the train go on, all of the programs are shown standing still with their eyes closed.
The point is to show that the programs are "turned off" as they await their fate, but the female program closest to Sam is seen wobbling and swaying in two different cuts.
When Kevin, Sam and Quorra board the Light Jet on the flight deck, and Quorra is making the jet lift off to escape, Quorra holds her hands in front of her as if using flight controls, but her hands can be seen open and empty and there are no controls or cockpit panel anywhere.
In the next cockpit scenes, her hands are in the same position but now she is grabbing a joystick with the right hand and a thrust lever with the left.
The synthetic effect on Gem's voice is missing for two of her lines while she escorts Sam through the End of Line club.
First when she says "Relax, they're occupied" and then shortly after again when she says "you want to speak to Zuse you're going to have to go through him".
During the disk wars, after Sam has defeated his first opponent, a banner above the arena can be seen changing to Sam's next opponent (unknown 3 vs Cray 7).
In the very next shot, a reflection of the banner can be seen on the front glass of CLU's flying ship pairing Sam with his previous opponent (unknown 3 vs Pike 11).
In the long shots of Sam and Quorra crossing the bridge on the Ducati, Quorra's hair is billowing behind her, but in the close shots it barely moves.
During the fight scene in the End of Line, Quorra is wearing boots without heels.
When Sam carries her off the elevator towards the cargo ship, Quorra's boots now have a heel.
Ducati Sportclassic Sport 1000 headlight cannot be turned off.
Sam turned it off when he was being chased by the police motorcycle.
During the lightcycle battle each team begins with 5 lightcycles.
Clu's team clearly defeats 4 opponents while Sam's team is only seen defeating 3 opponents.
After the 4th opponent is defeated on Sam's team you see a wide angle view of the grid and only Sam and Clu remain.
What happened to the 4th rider of Clu's team? When the security guard is approaching Sam in the server room of ENCOM, he takes out a TASER X26, appears to release the safety and it makes a sound like a camera flash charging.
The TASER X26 makes no sound when the safety is released.
When Sam bends down to pick up the quarter after it falls out of the coin return slot of the TRON video game, we see the side view of the cabinet for the "Discs of TRON" video game, which was the sequel for the original TRON video game.
Beneath the logo for Discs of TRON, the Bally/Midway logo is seen, instead of the ENCOM logo, which was the in-movie distributor of the TRON video game.
I've seen this movie three times already.I've also seen the first one twice.
Tron: Legacy is inferior to the original Tron in every way & is one of the worst movies I had the misfortune to suffer through. I saw it in IMAX 3D and still would have walked out had it not been the fact that it was the first night the theater was open.
Visually stunning but awful apart from that. The original film was OK but as a lot of people recommended this as groundbreaking and exciting, I gave it a try.
This belated follow-up deals with Sam Flynn ( a brave young man well played by Garrett Hedlund ) , a rebellious 27-year-old , is haunted by the mysterious disappearance of his father , a computer genius named Kevin Flynn ( the old creator whiz who was flapped inside a computer game , being stunningly performed by veteran Jeff Bridges ) , a man once known as the world's leading video-game developer . When Sam investigates a strange signal sent from the old Flynn's Arcade -- a signal that could only come from his father-- he finds himself pulled into a digital world where Kevin has been trapped for 20 years .
A sequel to Tron after so many years ... could that really happen?
Tron Legacy (2010): Dir Joseph Kosinski / Cast: Garrett Hedlund, Jeff Bridges, Olivia Wilda, Bruce Boxleitner, Michael Sheen: An entertaining digital showcase about passing abilities onto another. It is the sequel to the 1982 Tron, which broke ground in production.
First, you don't really need to have seen the original Tron, in order to "follow" the sequel. If you know nothing more than its IMDB synopsis, the opening of Legacy does a great job of providing enough backstory to get you going.
Ever since I was 2, I loved watching Tron. Tron was the first word I spelled.
"We have a hunger for something like authenticity, but are easily satisfied by an ersatz facsimile." - Orwell The first "Tron", directed by Steven Lisberger and released in 1982, captured a period in which the anti-authoritarianism of the Hippie counterculture began to mesh with Yuppie techno-utopianism (aka "The Californian Ideology").
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